11/10/2022 0 Comments Ctivo incorrect media key for basement![]() ![]() It revives and strengthens a 19th-century proposal that Matelda, the sole inhabitant of the Earthly Paradise in Purgatorio 28, is modelled on Mechthild of Hackeborn (d. This article first appeared in Dante Studies, Vol. Finally, the practice combined two disciplines, Early Music and Contemporary Music Theatre, which are not commonly combined, and it provides us with new theoretical insights of creative processes and musical-theatrical languages.Ĭopyright © 2019 Dante Society of America. ![]() The practice provided a new perspective on Dante's narrative from a sonorous point of view. ![]() For the composition of three-voice “simple polyphony” according to the rules for polyphonic improvisation around 1300, theoretical knowledge was essential, but their practice led to historical-musical insights of its performance and its rules for intervallic and rhythmic matters. However, the practice itself also provided information for the theory. Theoretical knowledge thus was an important basis for the practice. The research question was: How do the work methods taken from Historically Informed Performance practice contribute to the creation of a contemporary music theatre performance in a mise-en-scene of the Divina Commedia? For this practice-based research not only historical-musical knowledge was necessary but also literary knowledge of Dante's Commedia and its underlying meanings. An audio file was created as a sonorous element for Incipit, based on previously existing sounds and recording of songs and texts.The performance was recorded in video format. It is based upon thorough knowledge of the Commedia and, through its methodology of Historically Informed Performance Practice, it has mostly made used of 14th century musical sources. This research has been done through artistic practice: the creation and performance of a contemporary music theatre work called Incipit. In this way, the mise-en-scene is a sonorous journey through Dante's Afterworld as he might have imagined it, but also a contemporary visual and dramatical journey. Also references of movement, gesture, colour and light were taken into account for the mise-en-scene, but always in relation to the sonorous references. In our thesis, Historically Informed Performance practice has been connected with Contemporary Music Theatre through a mise-en-scene of Dante's Commedia, principally based upon its sonorous non-musical and musical references. It includes study of historical documents and objects in order to obtain a more profound understanding of the music and a performance practice which is based upon this comprehension. ![]() Historically Informed Performance practice is a characteristic musical approach of the Early Music movement. It is a genre-between-genre, where various art disciplines interact. In music theatre it is not only about music as one of the scenic elements musical thinking structures the entire theatrical process. The framework and creative basis for their connection is the "Divina Commedia" of Dante Alighieri (1265-1321). The PhD thesis "INCIPIT: The search for a multidisciplinary language at the crossroads of Antiquity and Contemporaneity" focusses on the influence of the methodology of Historically Informed Performance practice on the creation of a Contemporary Music Theatre performance. ![]()
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